New Delhi: When the NDA government came to power in 2014, culture was expected to be a contentious issue. Critics voiced their concerns that the government would lend their “saffron credentials” to all things culture. Such concerns seem to have some basis, as some irresponsible statements by the man at the helm, Minister of State (independent charge) of Culture Mahesh Sharma, has managed to obfuscate the efforts of the government in the field.
Outlandish statements
From making statements, later denied, that “night outs for Indian girls is not part of our culture” to launching a countrywide movement to rid India of “cultural pollution,” Sharma managed to create a negative impression of the culture ministry and for a time seemed to confirm the critics’ worst fears.
In fact, the man — who also had charge of the tourism ministry till recently — was seen as being more resourceful and dynamic in his other ministry where he had launched a slew of initiatives.
This included the launch of the eticketing service in monuments which helped increase tourist footfalls in the country, and the declaring of 25 of the most prominent monuments as ‘adarsh’ or ‘model’ monuments. This initiative, in particular, was welcomed by all stakeholders in the sector.
Initiatives introduced
In the culture ministry, Sharma and his team have announced a number of initiatives, some of which are still to see the light of day. One of the most prominent announcements in 2015 was the redevelopment of the National School of Drama (NSD) greenlighting a new campus in the next three to four years for a budget of Rs 180 crore.
Then, the ministry also launched the culture-mapping scheme under which artistes were to be “graded” in order to equally distribute central funds across all regions. Under the scheme, artistes from the field of architecture, sculpture, painting, handicrafts, puppetry, music, dance, theatre, and literature will be graded by the Centre on the basis of their performance.
The categories devised are O “Outstanding” P “Promising” and W “Waiting.” The grading which was and is done by a selected committee, that comprises bureaucrats and artistes, will determine the amount of funds an artiste will receive and whether he or she can participate in festivals. According to a government memorandum, only those in P and O categories will be eligible to participate in festivals abroad.
However, outrage has emerged about the “discriminative” nature of this project and in private officials said that grading the lakhs of artistes who applied — the number was estimated to be at 1 crore — was proving to be a difficult exercise.
Despite the criticism and the practi-
cal problems some of the younger artistes selected have lauded the system.
Declassification of Netaji Files
Come 2016, the ministry had a series of hits and misses. Taking forward his promise of declassifying the Netaji
Files, Prime Minister Modi released the first lot of 100 files after they were conserved and digitised on January 23, 2016 on the date of Netaji’s 119th birth anniversary. The second and third batch of 50 and 25 files were then released by Sharma on March 29 and April 29, 2016. A fourth batch, too, was released on May 27. In all, 16,530 pages relating to Netaji Subhash Chandra Bose were released.
Other notable achievements also came up during this year. In 2016, the excavated remains of the Nalanda Mahavihara and Sikkim’s Khangchendzonga National Park and Chandigarh’s Capitol Complex made it to the list of UNESCO’s World Heritage Sites, while yoga was recognised as an element in the UNESCO’s list of Intangible Cultural Heritage.
Amendment to Monuments Bill
On the policy front, the ministry has also introduced the Ancient Monuments and Archaeological Sites Remains (Amendment) Bill, 2017. If passed by Parliament, the Bill could ensure that public works can take place through the “prohibited area” which is 100 meters of a protected monument — a practice which is currently forbidden under the law.
Recovering documents and cultural artefacts
On the issue of documentation and recovering cultural artefacts from abroad the government has made some strides forward. During the PM’s visit to the United States, US Attorney General Loretta Lynch pledged over 200 artefacts worth $100 million to India. They included religious sculptures and statues, bronzes and terracotta artefacts which were stolen from India and smuggled in the international art market. However, since then, the ministry has managed to bring back only 17 pieces.
On a positive note, the government signed an MoU with the Torre do Tombo (National Archives of Portugal) and they have handed over digital copies of 12,000 documents under 62 volumes to the National Archives of India. They consist of correspondence between Lisbon and Goa between 1568 to 1914.
Controversy over ongoing statue project in Gujarat
Despite such initiatives, concerns that the culture ministry is looking to “saffronise” Indian culture have not faded. Following PM Modi’s announcement, the ministry’s release of over Rs 200 crore for the ‘Statue of Unity’, a monument dedicated to freedom fighter Sardar Vallabhbhai Patel which was slated to come up in Gujarat, has caused concern.
Comments abounded on social media stating that the project, estimated around Rs 3,000 crore, was money being wasted on a project that could have been earmarked for better purposes. The government has dismissed such concerns, stating that already there were a plethora of Indira Gandhi statues in the country, and the balance needed to be rectified. Clearly, the fight over the “politics of culture” is far from over.
